Today we are going to look at some films, involving the Hubley family. John Hubley had been a Disney background artist working on films like Snow White, Pinocchio, Fantasia, Dumbo, and Bambi. He would leave during the Disney strike of 1941, and became one of the founders of UPA. There he would direct the first Mr. Magoo cartoon. However he would be blacklisted during the Cold War era for his communist beliefs. He would then create his own studio called Storyboard. His partner would be his wife Faith Hubley. Faith had not had a career before this, but this would be the beginning of a great career for her. Animator Shamus Culhane wrote in his autobiography, Talking Animals and Other People, that he felt Faith brought a lyrical quality to these films. This is true, the films they made together are beautiful and remain unique in the world of animation, and even film today. The 3 films we are looking at today, have the voices of their own children. They would record a conversation of their kids and than build an animated cartoon around that.
Our first film for today is an Oscar nominated cartoon and a great work of art in it's own right, 1968's Windy Day. This was built around a audio recording of John and Faith Hubley's daughters, Georgia and Emily Hubley at play. Those familiar with the indie rock band Yo La Tengo, might know Georgia Hubley as the drummer for that band. Emily would later be the associate producer and one of the animators on her mom's only solo directorial feature film, The Cosmic Eye. She would also have her own career in animation, directing such films as the feature length, The Toe Tactic, and the shorts The Pigeon Within, Rainbows of Hawai'i, and The Girl with Her Head Coming Off. She would also be the animation designer and an animator on the animated segment in Hedwig and the Angry Itch. Windy Day is a lovely film. The dialog between the two girls is very charming. Towards the end of the film the conversation turns quite profound and beautiful. This is a great reminder of how much more intelligent kids can be than we we give them credit for. The whole film is lovely though and the whimsical animation fits the kids conversation perfectly.
Next is another film that was based around a recording of Georgia and Emily at play this film is called Cockaboody. The whole film was animated by a woman named Tissia Davis. Who would also work with the Hubley's on the feature length animated documentry Everyone Rides the Carousel, and with Faith and Emily on The Cosmic Eye. She had previously been an animator in France working for directors like Jean Image. The animation ranges from Whimsical to more realistic depending a the mood of the dialog (a great device). The kid's conversation captures perfectly the feeling of childhood. Overall this 1973 film is another lovely film from these four Hubley's and another work of great art.
Last is the earliest of these films, Moonbird from 1959. This film centered around an audio recording of John and Faith Hubley's sons, Mark and Ray Hubley, at play. Mark Hubley would later become an animator, working on two of his parent's films, Dig and Voyage to the Next, and would be a layout artist on two Hanna-Barbera TV shows, The Smurfs, and Monchhichis. Ray Hubley would become an editor on live action films such as Scarface and Dead Man Walking. The animators on this film will included one of John's fellow UPA directors, Robert Cannon, who had before joining UPA than the Hubley's studio had worked at Warner Brothers as an animator (as part of Chuck Jones' unit), and on Disney's feature length Melody Time (also as an animator). The other animator was an animator who began and spent much of his career with the Hubleys, Ed Smith. This is quite an imaginative and fun film and it won the Oscar for best animated short film.
-Michael J. Ruhland
Our first film for today is an Oscar nominated cartoon and a great work of art in it's own right, 1968's Windy Day. This was built around a audio recording of John and Faith Hubley's daughters, Georgia and Emily Hubley at play. Those familiar with the indie rock band Yo La Tengo, might know Georgia Hubley as the drummer for that band. Emily would later be the associate producer and one of the animators on her mom's only solo directorial feature film, The Cosmic Eye. She would also have her own career in animation, directing such films as the feature length, The Toe Tactic, and the shorts The Pigeon Within, Rainbows of Hawai'i, and The Girl with Her Head Coming Off. She would also be the animation designer and an animator on the animated segment in Hedwig and the Angry Itch. Windy Day is a lovely film. The dialog between the two girls is very charming. Towards the end of the film the conversation turns quite profound and beautiful. This is a great reminder of how much more intelligent kids can be than we we give them credit for. The whole film is lovely though and the whimsical animation fits the kids conversation perfectly.
Next is another film that was based around a recording of Georgia and Emily at play this film is called Cockaboody. The whole film was animated by a woman named Tissia Davis. Who would also work with the Hubley's on the feature length animated documentry Everyone Rides the Carousel, and with Faith and Emily on The Cosmic Eye. She had previously been an animator in France working for directors like Jean Image. The animation ranges from Whimsical to more realistic depending a the mood of the dialog (a great device). The kid's conversation captures perfectly the feeling of childhood. Overall this 1973 film is another lovely film from these four Hubley's and another work of great art.
Last is the earliest of these films, Moonbird from 1959. This film centered around an audio recording of John and Faith Hubley's sons, Mark and Ray Hubley, at play. Mark Hubley would later become an animator, working on two of his parent's films, Dig and Voyage to the Next, and would be a layout artist on two Hanna-Barbera TV shows, The Smurfs, and Monchhichis. Ray Hubley would become an editor on live action films such as Scarface and Dead Man Walking. The animators on this film will included one of John's fellow UPA directors, Robert Cannon, who had before joining UPA than the Hubley's studio had worked at Warner Brothers as an animator (as part of Chuck Jones' unit), and on Disney's feature length Melody Time (also as an animator). The other animator was an animator who began and spent much of his career with the Hubleys, Ed Smith. This is quite an imaginative and fun film and it won the Oscar for best animated short film.
-Michael J. Ruhland
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